PREFECTURE 48

A curatorial strategy traversing the dual worlds of Ukiyo(e)

0=1 -tunnelling effect (2024)
Hitoshi Kuriyama
fluorescent light, mirrored glass tube, steel, electric cable

(EN) The interplay of illumination and reflection transforms the historic Cartway into a dynamic and immersive entry space.

Aurate Dance (2024)
Racso Jugarap
metal wire, gold foil and resin

The installation captures the ephemeral beauty of the robata grill’s smoke through golden wire ribbons suspended in the air. Resembling auroras, they sway and intertwine, mirroring the smoke's delicate movements.

The golden wires symbolize the intangible allure of the grill—its flavors, aromas, and lingering memories. Their radiant dance reflects the transformation of simple ingredients into culinary artistry.

Pixel (2024)
Hiroto Yoshizoe
painted aluminium, polycarbonate, LED mesh screen, video

An ever-changing performance of light and color, reflecting the flurry of activity behind the scenes, celebrates the seasonality and theatricality of Kaiseki cuisine.

Pixel is inspired by Japanese shoji screens and modular architecture. When footage of flowing water, a breeze through forest canopies, and the graceful movements of a mai dance are projected through its prismatic surfaces, unnecessary elements are stripped away.

Supernature (2024)
Yuki Tsuji
Japanese reclaimed timber, resin

In this work, lifecycles and amplified hyper natural states are explored to celebrate the natural world.

Lavca (2024)
Yuki Tsuji
Japanese reclaimed timber, resin

A pas de deux of sculptures emerging as a symbol of both timelessness and the delicate transience of life.

Eternal Seasons: A Celestial Journey (2024)
Chris Gibson (Horigo)
digital print on fabric

Comprised of a four-part traditional Japanese Horimono tattoo printed onto velvet, the work merges natural and mythical elements transitioning between celestial and aquatic realms.

Prefecture 48 is a Japanese dining precinct set within the historically significant Foley Brothers building. Featuring six food and beverage venues each with their own culinary narrative, our art strategy informed the commission of 7 new site-specific installations.  

Early on, the building’s history was identified as important to the cultural fabric of Sydney and formed a key consideration of how the artistic interventions would interact with the space. Each artist was carefully briefed on its restrictions and features, resulting in commissions that were sensitive to the nuances of a heritage envelope.

Central to the art strategy was the creation of an overarching narrative to establish a framework for the selection of artists and commission of artworks. For Prefecture 48 it was important to embed our research in Japanese history and culture. Conceptually, the art curation strategy was grounded in Ukiyo(e) commonly translated to ‘pictures of the floating world’. Emblematic of the Edo period, Ukiyo(e) represents an unrivalled creative arena where communities gather to indulge in the gamut of artistic pursuits. In a time of great change, the Edo period saw a rise in public access to art, music, poetry and culture at large.

The collection of artworks throughout Prefecture 48 explore the breadth of this floating world and reflect the diverse culinary expression of the various restaurants and bars.

  • Project Scope

    Art Curation

    Placemaking

    Signage

  • Collaborators

    Artists: Japanese artists Hitoshi Kuriyama, Yuki Tsuji, Hiroto Yoshizoe, Australian/Japanese artist Chris Gibson (Horigo) and Filipino/Belgian artist Racso Jugarap

    Architecture and Interiors: Bates Smart

    Specialist Lighting: Electrolight

    Builder: Buildcorp

    Heritage: NBRS

    (EN) Photography: Anson Smart